AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 63
Pagina 14
... qualitative structures are grasped as intelligible com- plexes , qualitative wholes may also be amenable to scien- tific treatment . There is no reason why we should be confined to the sorts of relations that mechanics has de- pended ...
... qualitative structures are grasped as intelligible com- plexes , qualitative wholes may also be amenable to scien- tific treatment . There is no reason why we should be confined to the sorts of relations that mechanics has de- pended ...
Pagina 79
... qualitative order in elements and a naturally guided selection of these in an abstract system of relations . Such natural patterns of intrinsically ordered qualitative elements are the basis of any art . The scale thus illustrates ...
... qualitative order in elements and a naturally guided selection of these in an abstract system of relations . Such natural patterns of intrinsically ordered qualitative elements are the basis of any art . The scale thus illustrates ...
Pagina 139
... qualitative patterns within qualitative orders , in the com- mon acceptation of the term quality , as not extending to space and time . But it must be clear that no work of art , even the sim- plest , is limited to being an abstract ...
... qualitative patterns within qualitative orders , in the com- mon acceptation of the term quality , as not extending to space and time . But it must be clear that no work of art , even the sim- plest , is limited to being an abstract ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words