AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 56
... quality " as a term for the very pur- pose of distinguishing such aspects of color and sound from extensional aspects whether spatial or temporal . Why , then , are the qualitative orders any more intrinsic to sound and color than ...
... quality " as a term for the very pur- pose of distinguishing such aspects of color and sound from extensional aspects whether spatial or temporal . Why , then , are the qualitative orders any more intrinsic to sound and color than ...
Pagina 83
... orders in making up the characteristic quality of particular sorts of com- position in any art , and the specific ... qualitative orders , and then of one selected qualitative pattern , viz . , the musical scale , it is safe enough to go ...
... orders in making up the characteristic quality of particular sorts of com- position in any art , and the specific ... qualitative orders , and then of one selected qualitative pattern , viz . , the musical scale , it is safe enough to go ...
Pagina 139
... order that we made out the general nature of the strictly temporal aspects of rhythm , illustrated in the measured and numbered pat- terns of English verse . Color scales and musical scales are qualitative patterns within qualitative orders ...
... order that we made out the general nature of the strictly temporal aspects of rhythm , illustrated in the measured and numbered pat- terns of English verse . Color scales and musical scales are qualitative patterns within qualitative orders ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words