AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 25
... but insist , that what we are most interested in in the whole range of æsthetic
phenomena , even admitting that this range is as broad as we have comes been
indicating , is art in its greatest manifestations THE FIELD OF ÆSTHETICS 25.
... but insist , that what we are most interested in in the whole range of æsthetic
phenomena , even admitting that this range is as broad as we have comes been
indicating , is art in its greatest manifestations THE FIELD OF ÆSTHETICS 25.
Pagina 166
If that whole is a feeling totally out of the range of our powers , because it is
conditioned by a complex of processes that we cannot attain even with the fully
determinate physical character of the object to guide the articulation of our
response ...
If that whole is a feeling totally out of the range of our powers , because it is
conditioned by a complex of processes that we cannot attain even with the fully
determinate physical character of the object to guide the articulation of our
response ...
Pagina 168
Since , however , artists are human organisms expressing humanly available
feelings , what stands between us and what they express is , in the case of
contemporary artists , only their more gifted discernment and their greater range .
A very ...
Since , however , artists are human organisms expressing humanly available
feelings , what stands between us and what they express is , in the case of
contemporary artists , only their more gifted discernment and their greater range .
A very ...
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abstract accent actual adequate æsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole