AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 37
... relevant . Thus all analysis runs risks . Gaining knowledge is an experimental venture , not a dream , nor a logical demon- stration . And if we are to get knowledge in the field that we have suggested as that of æsthetics , we shall ...
... relevant . Thus all analysis runs risks . Gaining knowledge is an experimental venture , not a dream , nor a logical demon- stration . And if we are to get knowledge in the field that we have suggested as that of æsthetics , we shall ...
Pagina 139
... relevant analysis must follow his choice in the light of the nature of the effective whole that it results in . If we are to apply our analysis to works of art , it is RELEVANCE THROUGH EXPRESSION 139.
... relevant analysis must follow his choice in the light of the nature of the effective whole that it results in . If we are to apply our analysis to works of art , it is RELEVANCE THROUGH EXPRESSION 139.
Pagina 142
... relevant to a purpose or interest of his or of our own . We wish to give directions , or to record an experience as bearing upon a matter of common concern , to communicate this piece of information to guide plans of action or to ...
... relevant to a purpose or interest of his or of our own . We wish to give directions , or to record an experience as bearing upon a matter of common concern , to communicate this piece of information to guide plans of action or to ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words