AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
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Pagina 28
... requires great intellectual powers . It is often supposed that great artists are not en- dowed with mind so much as with a spirit which directly externalizes itself , and that other human spirits , by virtue of their innate humanity ...
... requires great intellectual powers . It is often supposed that great artists are not en- dowed with mind so much as with a spirit which directly externalizes itself , and that other human spirits , by virtue of their innate humanity ...
Pagina 122
... requires an accent on the first syllable ; it also requires more time for the second syllable than for the first . This would be true in the singular ; in the plural it is still plainer . It seems fairly accurate to say that normal ...
... requires an accent on the first syllable ; it also requires more time for the second syllable than for the first . This would be true in the singular ; in the plural it is still plainer . It seems fairly accurate to say that normal ...
Pagina 129
... requires accents on naturally unaccented syllables , because it does not require accent all of the time to mark the measures or their divisions ; it never requires substitution of one sort of foot for another , because its constituent ...
... requires accents on naturally unaccented syllables , because it does not require accent all of the time to mark the measures or their divisions ; it never requires substitution of one sort of foot for another , because its constituent ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words