AEsthetic Analysis |
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Pagina 28
The parallel will be rejected only by those who do not realize that great creative
art requires great intellectual powers . It is often supposed that great artists are
not endowed with mind so much as with a spirit which directly externalizes itself ...
The parallel will be rejected only by those who do not realize that great creative
art requires great intellectual powers . It is often supposed that great artists are
not endowed with mind so much as with a spirit which directly externalizes itself ...
Pagina 122
The word sessions , for example , requires an accent on the first syllable ; it also
requires more time for the second syllable than for the first . This would be true in
the singular ; in the plural it is still plainer . It seems fairly accurate to say that ...
The word sessions , for example , requires an accent on the first syllable ; it also
requires more time for the second syllable than for the first . This would be true in
the singular ; in the plural it is still plainer . It seems fairly accurate to say that ...
Pagina 129
The scheme never requires accents on naturally unaccented syllables , because
it does not require accent all of the time to mark the measures or their divisions ; it
never requires substitution of one sort of foot for another , because its ...
The scheme never requires accents on naturally unaccented syllables , because
it does not require accent all of the time to mark the measures or their divisions ; it
never requires substitution of one sort of foot for another , because its ...
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Parole e frasi comuni
abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole