AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 20
... response , without penetration through and be- yond the qualitative felt presence defined by the object , is exactly the æsthetic aspect of the world at the moment . What penetrates and goes beyond is non - æsthetic . But most response ...
... response , without penetration through and be- yond the qualitative felt presence defined by the object , is exactly the æsthetic aspect of the world at the moment . What penetrates and goes beyond is non - æsthetic . But most response ...
Pagina 143
... response to it is to some degree emotional . As our response is integral to the process conditioning the world's appearance in all of its aspects , so the emotionally conditioned or conditioning aspects of our response condition its ...
... response to it is to some degree emotional . As our response is integral to the process conditioning the world's appearance in all of its aspects , so the emotionally conditioned or conditioning aspects of our response condition its ...
Pagina 147
... response to what is directly given ( though given only on condition that there is the specific response as one of its conditions ) . Response is of the whole organism unanæs- thetized , whether it is to be called spirit or body using ...
... response to what is directly given ( though given only on condition that there is the specific response as one of its conditions ) . Response is of the whole organism unanæs- thetized , whether it is to be called spirit or body using ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words