AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 20
What is given to full , unwandering , vital response , without penetration through
and be yond the qualitative felt presence defined by the object , is exactly the
ęsthetic aspect of the world at the moment . What penetrates and goes beyond is
...
What is given to full , unwandering , vital response , without penetration through
and be yond the qualitative felt presence defined by the object , is exactly the
ęsthetic aspect of the world at the moment . What penetrates and goes beyond is
...
Pagina 143
As our response is integral to the process ✓ conditioning the world ' s
appearance in all of its aspects , so the emotionally conditioned or conditioning
aspects of our response condition its emotional character . Hence its emo - v . nr .
tional ...
As our response is integral to the process ✓ conditioning the world ' s
appearance in all of its aspects , so the emotionally conditioned or conditioning
aspects of our response condition its emotional character . Hence its emo - v . nr .
tional ...
Pagina 147
It fails to be the whole world simply because of human limitations in range of
apprehension , not through human thought processes , engaged in non - ästhetic
response to discriminate specific aspects out of the presentation and neglect the
...
It fails to be the whole world simply because of human limitations in range of
apprehension , not through human thought processes , engaged in non - ästhetic
response to discriminate specific aspects out of the presentation and neglect the
...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole