AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 93
... rhythm . But in the scheme that we have been expounding there is , besides this reason , the need for some exhibition of temporal order and temporal patterns on their own account . For what we have so far made out with any degree of ...
... rhythm . But in the scheme that we have been expounding there is , besides this reason , the need for some exhibition of temporal order and temporal patterns on their own account . For what we have so far made out with any degree of ...
Pagina 108
... rhythm , or a two - rhythm , mean- ing by the three or the two the number of main subdivisions of the measure itself , the length of which ( a duration ) characterizes the rhythm as swift or slow . In verse at any rate swiftness and ...
... rhythm , or a two - rhythm , mean- ing by the three or the two the number of main subdivisions of the measure itself , the length of which ( a duration ) characterizes the rhythm as swift or slow . In verse at any rate swiftness and ...
Pagina 113
... rhythm clearly , so the making out of the strictly temporal aspect of verse as measured and numbered should be a clarification of at least part of what is called verse rhythm . Those who speak of a rhythm of sense as well as a rhythm of ...
... rhythm clearly , so the making out of the strictly temporal aspect of verse as measured and numbered should be a clarification of at least part of what is called verse rhythm . Those who speak of a rhythm of sense as well as a rhythm of ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words