AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 103
... rhythmical structure will be more strikingly and obviously characterized by rise and fall , by ictus , beat , pulse , than by the strictly temporal character of the pattern , which is simply the division of the time stream into measures ...
... rhythmical structure will be more strikingly and obviously characterized by rise and fall , by ictus , beat , pulse , than by the strictly temporal character of the pattern , which is simply the division of the time stream into measures ...
Pagina 125
... rhythmical pattern . What else metre could serve to measure if not rhythmical units , one would be at a loss to know ; though it is constantly urged that metre and rhythm are quite distinct , as if either the metre were the measure of ...
... rhythmical pattern . What else metre could serve to measure if not rhythmical units , one would be at a loss to know ; though it is constantly urged that metre and rhythm are quite distinct , as if either the metre were the measure of ...
Pagina 132
... rhythmical reading that fits the natural speaking of the words , gives us two regular measures of six counts to the line , grouped as follows : I 2 3 bid me to I 2 3 6 6 live and I will live Thy 4 5 6 123 6 Protes tant to be- 45 ( OF ) ...
... rhythmical reading that fits the natural speaking of the words , gives us two regular measures of six counts to the line , grouped as follows : I 2 3 bid me to I 2 3 6 6 live and I will live Thy 4 5 6 123 6 Protes tant to be- 45 ( OF ) ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words