AEsthetic Analysis |
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Risultati 1-3 di 36
Pagina 66
If these are taken as notes in our scale , the fundamental as the key - note , then
the fundamental is called the Tonic and the other the Tonic over again . Thus the
whole pitch continuum is marked off into octave lengths in pitch , and it is within ...
If these are taken as notes in our scale , the fundamental as the key - note , then
the fundamental is called the Tonic and the other the Tonic over again . Thus the
whole pitch continuum is marked off into octave lengths in pitch , and it is within ...
Pagina 70
And it is the note to which the rest of the scale notes , re , la , and si , are related
through the Dominant and the Subdominant . Another way in which these
intervals may be seen as selected by natural conditions is by calculating a priori
in terms ...
And it is the note to which the rest of the scale notes , re , la , and si , are related
through the Dominant and the Subdominant . Another way in which these
intervals may be seen as selected by natural conditions is by calculating a priori
in terms ...
Pagina 77
succession that the terms octave , fifth , and the rest , to name the eight places of
the scale - order , became applicable . Thus it is a series of abstract elements that
we have found as the scale , along an abstract continuum of one dimension .
succession that the terms octave , fifth , and the rest , to name the eight places of
the scale - order , became applicable . Thus it is a series of abstract elements that
we have found as the scale , along an abstract continuum of one dimension .
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole