AEsthetic analysis |
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Pagina 66
If these are taken as notes in our scale, the fundamental as the key-note, then the
fundamental is called the Tonic and the other the Tonic over again. Thus the
whole pitch continuum is marked off into octave lengths in pitch, and it is within
one ...
If these are taken as notes in our scale, the fundamental as the key-note, then the
fundamental is called the Tonic and the other the Tonic over again. Thus the
whole pitch continuum is marked off into octave lengths in pitch, and it is within
one ...
Pagina 70
And it is the note to which the rest of the scale notes, re, la, and si, are related
through the Dominant and the Subdominant. Another way in which these
intervals may be seen as selected by natural conditions is by calculating a priori
in terms of ...
And it is the note to which the rest of the scale notes, re, la, and si, are related
through the Dominant and the Subdominant. Another way in which these
intervals may be seen as selected by natural conditions is by calculating a priori
in terms of ...
Pagina 77
succession that the terms octave, fifth, and the rest, to name the eight places of
the scale-order, became applicable. Thus it is a series of abstract elements that
we have found as the scale, along an abstract continuum of one dimension. And
of ...
succession that the terms octave, fifth, and the rest, to name the eight places of
the scale-order, became applicable. Thus it is a series of abstract elements that
we have found as the scale, along an abstract continuum of one dimension. And
of ...
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate aesthetic analysis aesthetic content aesthetic objects aesthetic theory aestheticians apply apprehended artists attention basic blank verse called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements emotional English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length loudness means Mediant melody merely musical scale nature notes obvious octave one-two organism particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific strictly string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees vibration rate whole words
Informazioni bibliografiche
| Titolo | AEsthetic analysis Apollo editions |
| Autore | David Wight Prall |
| Editore | Thomas, Y. Crowell, 1936 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 23 gen 2008 |
| Lunghezza | 211 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |