AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 6
It is not merely distinguished by one of the senses , but felt emotionally in its full
present character . ... our attention being on a situation not here and now given
through sense , but called up in relation to something that we want to do or to
have ...
It is not merely distinguished by one of the senses , but felt emotionally in its full
present character . ... our attention being on a situation not here and now given
through sense , but called up in relation to something that we want to do or to
have ...
Pagina 113
Those who speak of a rhythm of sense as well as a rhythm of sound merely
confuse issues by confusing terms and their meanings . Rhythm is not divorced
from sense ; but if it is to be apprehended through sound , then we should show
how ...
Those who speak of a rhythm of sense as well as a rhythm of sound merely
confuse issues by confusing terms and their meanings . Rhythm is not divorced
from sense ; but if it is to be apprehended through sound , then we should show
how ...
Pagina 155
In one sense , then , discriminating the elements is the condition of apprehending
the particular determinate whole in question . In another sense the discriminated
elements as apprehended in their structural relations constitute this whole , so ...
In one sense , then , discriminating the elements is the condition of apprehending
the particular determinate whole in question . In another sense the discriminated
elements as apprehended in their structural relations constitute this whole , so ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole