AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 50
Pagina 6
... sense , but called up in relation to something that we want to do or to have somewhere else or at some other time or even pres- ently — so soon as this is the emphatic aspect of our rela- tion to any object , that relation is no longer ...
... sense , but called up in relation to something that we want to do or to have somewhere else or at some other time or even pres- ently — so soon as this is the emphatic aspect of our rela- tion to any object , that relation is no longer ...
Pagina 113
... sense as well as a rhythm of sound merely confuse issues by confusing terms and their meanings . Rhythm is not divorced from sense ; but if it is to be apprehended through sound , then we should show how sense makes sounds vary , or how ...
... sense as well as a rhythm of sound merely confuse issues by confusing terms and their meanings . Rhythm is not divorced from sense ; but if it is to be apprehended through sound , then we should show how sense makes sounds vary , or how ...
Pagina 174
... sense . All this is of very special or of very great importance because in art , and in the ęsthetic aspects of ... sense through sense our feelings and the feelings of artists , the concrete character of the world 174 ĘSTHETIC ANALYSIS.
... sense . All this is of very special or of very great importance because in art , and in the ęsthetic aspects of ... sense through sense our feelings and the feelings of artists , the concrete character of the world 174 ĘSTHETIC ANALYSIS.
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words