AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 44
... sensory elements in relation , then we must abstract such aspects of quality as are clearly relational , and survey the elements in the orders constituted by such relations . And since we have already seen that these rela- tions are ...
... sensory elements in relation , then we must abstract such aspects of quality as are clearly relational , and survey the elements in the orders constituted by such relations . And since we have already seen that these rela- tions are ...
Pagina 135
... sensory elements systematically related in ordered ranges or manifolds to which they belong by virtue of their own nature . In this sense the elements are intrinsically related . They lie in serial orders intrinsic to their defining ...
... sensory elements systematically related in ordered ranges or manifolds to which they belong by virtue of their own nature . In this sense the elements are intrinsically related . They lie in serial orders intrinsic to their defining ...
Pagina 138
... sensory variations are then the essential basis , the actual constitutive nature , of all sensuous structures . And so in a parallel sense not only of spatial elements , but of concretely exhibited temporal elements , durations of ...
... sensory variations are then the essential basis , the actual constitutive nature , of all sensuous structures . And so in a parallel sense not only of spatial elements , but of concretely exhibited temporal elements , durations of ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words