AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
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Pagina 19
... sensuous content or emotional depth or human significance . But this objection has already been answered . For the ele- ments we have so far suggested are not only sensuous but emotionally toned , and the structural relations are sensu ...
... sensuous content or emotional depth or human significance . But this objection has already been answered . For the ele- ments we have so far suggested are not only sensuous but emotionally toned , and the structural relations are sensu ...
Pagina 30
... sensuous elements that are not distinctly intelligible , though they are em- phatically present and clearly discernible . Smells and tastes are obviously ęsthetic , even though we do not - at least as yet recognize their qualitative ...
... sensuous elements that are not distinctly intelligible , though they are em- phatically present and clearly discernible . Smells and tastes are obviously ęsthetic , even though we do not - at least as yet recognize their qualitative ...
Pagina 146
... sensuous aspects of works of art is even a distraction precluding the apprehension of their es- sential nature . It has thus become hard for us to realize that the merely sensuous , meaning something that is solely sensuous , is not ...
... sensuous aspects of works of art is even a distraction precluding the apprehension of their es- sential nature . It has thus become hard for us to realize that the merely sensuous , meaning something that is solely sensuous , is not ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words