AEsthetic Analysis |
Dall'interno del libro
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Pagina 19
And as every one knows , the formal abstractness of the elements and relations
taken as fundamental is fatal to any grasp of the subject matter of æsthetics , if
this is to include either sensuous content or emotional depth or human
significance .
And as every one knows , the formal abstractness of the elements and relations
taken as fundamental is fatal to any grasp of the subject matter of æsthetics , if
this is to include either sensuous content or emotional depth or human
significance .
Pagina 30
But , as nothing is exhaustively intelligible to us in every part and aspect of its
being , so there occur in the æsthetic aspect of our world all those natural
sensuous elements that are not distinctly intelligible , though they are
emphatically present ...
But , as nothing is exhaustively intelligible to us in every part and aspect of its
being , so there occur in the æsthetic aspect of our world all those natural
sensuous elements that are not distinctly intelligible , though they are
emphatically present ...
Pagina 146
And no one has more vehemently insisted on the low estate of the merely
sensuous than have artists and critics in their efforts to uphold the cause of the
arts on the ground of their essential spirituality . One might gather from what they
say that ...
And no one has more vehemently insisted on the low estate of the merely
sensuous than have artists and critics in their efforts to uphold the cause of the
arts on the ground of their essential spirituality . One might gather from what they
say that ...
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abstract accent actual adequate æsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole