AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 44
... serial relations constituting serial orders . But the situation is complicated by the fact that these serial orders are not of the concrete sounds , not of hearable notes nor of concrete visible colors as such , but of aspects of these ...
... serial relations constituting serial orders . But the situation is complicated by the fact that these serial orders are not of the concrete sounds , not of hearable notes nor of concrete visible colors as such , but of aspects of these ...
Pagina 45
... serial orders . A relation constituting a serial order has certain prop- erties . If it applies to a group of elements , then every one of these elements is related to every other by this same relation . This is called the connexity of ...
... serial orders . A relation constituting a serial order has certain prop- erties . If it applies to a group of elements , then every one of these elements is related to every other by this same relation . This is called the connexity of ...
Pagina 138
... ordered in the manifold serial orders of space and the one - dimensional irreversible order of time . of Next we found how natural conditions of the occurrence sensory elements having such ordered aspects , defined for apprehension ...
... ordered in the manifold serial orders of space and the one - dimensional irreversible order of time . of Next we found how natural conditions of the occurrence sensory elements having such ordered aspects , defined for apprehension ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words