AEsthetic Analysis |
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Risultati 1-3 di 41
Pagina 35
We abstract elements simply by choosing details found in the object of our
attention ; these are abstracted from the rest of it . Moreover , there are
distinguishable aspects of objects which cannot be concretely presented alone .
What we call ...
We abstract elements simply by choosing details found in the object of our
attention ; these are abstracted from the rest of it . Moreover , there are
distinguishable aspects of objects which cannot be concretely presented alone .
What we call ...
Pagina 147
It fails to be the whole world simply because of human limitations in range of
apprehension , not through human thought processes , engaged in non - ästhetic
response to discriminate specific aspects out of the presentation and neglect the
...
It fails to be the whole world simply because of human limitations in range of
apprehension , not through human thought processes , engaged in non - ästhetic
response to discriminate specific aspects out of the presentation and neglect the
...
Pagina 195
This sort of ignorance of the actual concrete nature of the world that we live in in
conscious life is likely to be condoned , simply because the knowledge that
would remove it is so available and potentially so common a possession . But it is
a ...
This sort of ignorance of the actual concrete nature of the world that we live in in
conscious life is likely to be condoned , simply because the knowledge that
would remove it is so available and potentially so common a possession . But it is
a ...
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abstract accent actual adequate æsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole