AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 41
But any scheme , any formal structure , whether a sequence of habitual
conscious or unconscious acts , or a presented geometrical design , can be one
only by virtue of some sort of coherence . And structures are grasped as such
only when ...
But any scheme , any formal structure , whether a sequence of habitual
conscious or unconscious acts , or a presented geometrical design , can be one
only by virtue of some sort of coherence . And structures are grasped as such
only when ...
Pagina 94
The one sort of pattern that we have not yet even so much as explicitly illustrated
is the sort that is constituted abstractly out of the time - order , an order clearly
distinguishable from what we have called qualitative orders , as in sound and
color ...
The one sort of pattern that we have not yet even so much as explicitly illustrated
is the sort that is constituted abstractly out of the time - order , an order clearly
distinguishable from what we have called qualitative orders , as in sound and
color ...
Pagina 116
Nothing , as significantly used in speech , means the absence of the expected
content , or the absence of one sort of thing , and ... We need literary descriptions
of all sorts ; but for knowledge descriptions are more useful when their terms are
...
Nothing , as significantly used in speech , means the absence of the expected
content , or the absence of one sort of thing , and ... We need literary descriptions
of all sorts ; but for knowledge descriptions are more useful when their terms are
...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole