AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 15
lations , not numerical , not spatial and not temporal , can be discriminated as the
basic structure of many aspects of the arts , and that training in discriminating
these relations is the necessary condition of actual full acquaintance with works
of ...
lations , not numerical , not spatial and not temporal , can be discriminated as the
basic structure of many aspects of the arts , and that training in discriminating
these relations is the necessary condition of actual full acquaintance with works
of ...
Pagina 53
ganism , but also that the spatial and temporal aspects of the concrete content
are themselves structural . Like pitch , time , whatever else it may be , is an order .
That space is an order we all realize from an elementary acquaintance with ...
ganism , but also that the spatial and temporal aspects of the concrete content
are themselves structural . Like pitch , time , whatever else it may be , is an order .
That space is an order we all realize from an elementary acquaintance with ...
Pagina 56
We have spoken of spatial and temporal orders as intrinsic to elements that are
spatial and temporal . And we have noticed that for actual concretely apparent
surfaces for ear and eye we require spatiotemporal structure as well as
qualitative ...
We have spoken of spatial and temporal orders as intrinsic to elements that are
spatial and temporal . And we have noticed that for actual concretely apparent
surfaces for ear and eye we require spatiotemporal structure as well as
qualitative ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole