AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 5
... specific intensity , or a hue of specific intensity without spatial spread or temporal duration ; but the red of this rose or of this structural steel of a THE FIELD OF ÆSTHETICS 5.
... specific intensity , or a hue of specific intensity without spatial spread or temporal duration ; but the red of this rose or of this structural steel of a THE FIELD OF ÆSTHETICS 5.
Pagina 168
... specific subtleties are a matter of quick apprehension . Thus the articulation of works of art , either by grasping technical means and procedures and their customary uses , or by discriminating æsthetic elements as such and the re ...
... specific subtleties are a matter of quick apprehension . Thus the articulation of works of art , either by grasping technical means and procedures and their customary uses , or by discriminating æsthetic elements as such and the re ...
Pagina 202
... specific works of art have , and to what degree they have them , it is plain that the ade- quately functioning critic will have a whole set of such criteria at his disposal to apply . It is equally plain that the standards cited in the ...
... specific works of art have , and to what degree they have them , it is plain that the ade- quately functioning critic will have a whole set of such criteria at his disposal to apply . It is equally plain that the standards cited in the ...
Altre edizioni - Visualizza tutto
Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words