AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 33
Pagina 94
David Wight Prall. more and more dubious the more strictly it is taken as an evaluating measure , that is , the more strictly it is taken as performing its purported function in Mr. Birkhoff's æsthetic theory . But the Birkhoff analysis ...
David Wight Prall. more and more dubious the more strictly it is taken as an evaluating measure , that is , the more strictly it is taken as performing its purported function in Mr. Birkhoff's æsthetic theory . But the Birkhoff analysis ...
Pagina 98
... strictly temporal structure that we are considering . In other words , since it is not the absolute lengths of time involved , their length , that is , in terms of the units of time of our established clocks , it must be their relative ...
... strictly temporal structure that we are considering . In other words , since it is not the absolute lengths of time involved , their length , that is , in terms of the units of time of our established clocks , it must be their relative ...
Pagina 203
... strictly æsthetic content . The æsthetic content , occurring as it does only upon a medium technically used , used that is in the ways of the arts and of artists , is often most clearly seen and appreciated in its technical functioning ...
... strictly æsthetic content . The æsthetic content , occurring as it does only upon a medium technically used , used that is in the ways of the arts and of artists , is often most clearly seen and appreciated in its technical functioning ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words