AEsthetic Analysis |
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Risultati 1-3 di 15
Pagina 19
For the elements we have so far suggested are not only sensuous but
emotionally toned , and the structural relations are sensuous relations
apprehended sensuously and with feeling . Thus we run no risk of formalizing the
subject in such a ...
For the elements we have so far suggested are not only sensuous but
emotionally toned , and the structural relations are sensuous relations
apprehended sensuously and with feeling . Thus we run no risk of formalizing the
subject in such a ...
Pagina 22
All that they show here is what is meant , in the cases suggested , by saying that
ęsthetic objects are structures dependent on relations , some of which are
qualitative and not numerical or spatiotemporal . For any full grasp of the
significance ...
All that they show here is what is meant , in the cases suggested , by saying that
ęsthetic objects are structures dependent on relations , some of which are
qualitative and not numerical or spatiotemporal . For any full grasp of the
significance ...
Pagina 128
... the spoken words of the verse without the music , though of course these songs
of Campion are not suggested as anything like proof of the contention that
English speech uses this measure most naturally and most pervasively
throughout .
... the spoken words of the verse without the music , though of course these songs
of Campion are not suggested as anything like proof of the contention that
English speech uses this measure most naturally and most pervasively
throughout .
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole