AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 6
... surface is concretely had , directly and fully ex- perienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But so far as it is æsthetic content , it is not more than thus ...
... surface is concretely had , directly and fully ex- perienced . It is not merely distinguished by one of the senses , but felt emotionally in its full present character . But so far as it is æsthetic content , it is not more than thus ...
Pagina 35
... surface of any object but just as the determinate shade that it is , is as abstract as anything could be . If we are ... surface of an object . On the other hand , we do not mean by the color the spreading itself , the extension that is ...
... surface of any object but just as the determinate shade that it is , is as abstract as anything could be . If we are ... surface of an object . On the other hand , we do not mean by the color the spreading itself , the extension that is ...
Pagina 50
... surface of the upper cone ; and the pure dark variations ( which may be thought of as saturated hues mixed with in- creasing amounts of black ) correspondingly run down- ward on the outer lower surface to black . The points be- neath ...
... surface of the upper cone ; and the pure dark variations ( which may be thought of as saturated hues mixed with in- creasing amounts of black ) correspondingly run down- ward on the outer lower surface to black . The points be- neath ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words