AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 9
... taken on its distinctive character . This is immediate quality , directly felt as the unifying completion of the process of emotional perception . And to any conscious perception at all some degree of emotion is requisite , if it \ is ...
... taken on its distinctive character . This is immediate quality , directly felt as the unifying completion of the process of emotional perception . And to any conscious perception at all some degree of emotion is requisite , if it \ is ...
Pagina 94
David Wight Prall. more and more dubious the more strictly it is taken as an evaluating measure , that is , the more strictly it is taken as performing its purported function in Mr. Birkhoff's æsthetic theory . But the Birkhoff analysis ...
David Wight Prall. more and more dubious the more strictly it is taken as an evaluating measure , that is , the more strictly it is taken as performing its purported function in Mr. Birkhoff's æsthetic theory . But the Birkhoff analysis ...
Pagina 122
... taken for the first syllable . It will be found that this measure of three short counts is customary in a great deal of English speech . To discern this grouping into three counts a sure sense of regularity in a rapid count of three is ...
... taken for the first syllable . It will be found that this measure of three short counts is customary in a great deal of English speech . To discern this grouping into three counts a sure sense of regularity in a rapid count of three is ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words