AEsthetic Analysis |
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Pagina 9
Once we have taken definitely into account this unequivocally emotional
character of directly intuited qualitative presentation , there is no great danger of
misconception in marking off the ęsthetic as simply the top level of all that is
consciously ...
Once we have taken definitely into account this unequivocally emotional
character of directly intuited qualitative presentation , there is no great danger of
misconception in marking off the ęsthetic as simply the top level of all that is
consciously ...
Pagina 94
more and more dubious the more strictly it is taken as an evaluating measure ,
that is , the more strictly it is taken as performing its purported function in Mr .
Birkhoff ' s ęsthetic theory . But the Birkhoff analysis of polygons and the
examples of ...
more and more dubious the more strictly it is taken as an evaluating measure ,
that is , the more strictly it is taken as performing its purported function in Mr .
Birkhoff ' s ęsthetic theory . But the Birkhoff analysis of polygons and the
examples of ...
Pagina 122
Not that sions is necessarily held out quite so long as this , but that one does not
start another word following sessions , until three equal counts have been filled
out , each of the length of time taken for the first syllable . It will be found that this ...
Not that sions is necessarily held out quite so long as this , but that one does not
start another word following sessions , until three equal counts have been filled
out , each of the length of time taken for the first syllable . It will be found that this ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole