AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 63
Pagina 56
... temporal orders as intrinsic to elements that are spatial and temporal . And we have noticed that for actual concretely apparent surfaces for ear and eye we require spatio- temporal structure as well as qualitative structure . A note ...
... temporal orders as intrinsic to elements that are spatial and temporal . And we have noticed that for actual concretely apparent surfaces for ear and eye we require spatio- temporal structure as well as qualitative structure . A note ...
Pagina 96
... temporal aspect need hardly be argued . And that this temporal aspect is intrinsically ordered is equally obvious . The nature of that order is , however , not so plain . But whatever time may mean , one temporal characteristic is the ...
... temporal aspect need hardly be argued . And that this temporal aspect is intrinsically ordered is equally obvious . The nature of that order is , however , not so plain . But whatever time may mean , one temporal characteristic is the ...
Pagina 110
... temporal aspect of actually changing qualitative content , from which it is distinguished as temporal order . Obviously it is no more independent of changing and moving things than pitch is independent of sounds ; and obviously it is no ...
... temporal aspect of actually changing qualitative content , from which it is distinguished as temporal order . Obviously it is no more independent of changing and moving things than pitch is independent of sounds ; and obviously it is no ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words