AEsthetic Analysis |
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Risultati 1-3 di 43
Pagina 97
While it is thus clear that every temporal pattern must have some specific rate ,
however variable , it is not this rate , not the fastness or slowness , that is the chief
characteristic of the temporal patterns of verse . In music , rate is very important ...
While it is thus clear that every temporal pattern must have some specific rate ,
however variable , it is not this rate , not the fastness or slowness , that is the chief
characteristic of the temporal patterns of verse . In music , rate is very important ...
Pagina 103
For of necessity the grasp of the pattern varies in definiteness and adequacy with
the degree of attention to the precise falling of the point of division on the single
line of temporal forward progress . Since our attentive processes will thus be ...
For of necessity the grasp of the pattern varies in definiteness and adequacy with
the degree of attention to the precise falling of the point of division on the single
line of temporal forward progress . Since our attentive processes will thus be ...
Pagina 119
Even for those who are to follow it , it is not a matter merely of seeing gestures ,
but of grasping a temporal scheme first ... describe the measure and number of
the musical rhythm , what corresponds to the basic temporal pattern of verse with
...
Even for those who are to follow it , it is not a matter merely of seeing gestures ,
but of grasping a temporal scheme first ... describe the measure and number of
the musical rhythm , what corresponds to the basic temporal pattern of verse with
...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole