AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 97
... temporal pattern must have some specific rate , however variable , it is not this rate , not the fastness or slowness , that is the chief characteristic of the temporal patterns of verse . In music , rate is very important indeed . It ...
... temporal pattern must have some specific rate , however variable , it is not this rate , not the fastness or slowness , that is the chief characteristic of the temporal patterns of verse . In music , rate is very important indeed . It ...
Pagina 110
... temporal order . Obviously it is no more independent of changing and moving things than pitch is independent of sounds ; and obviously it is no less independent . That is , the temporal pattern of changing things can be clearly ...
... temporal order . Obviously it is no more independent of changing and moving things than pitch is independent of sounds ; and obviously it is no less independent . That is , the temporal pattern of changing things can be clearly ...
Pagina 119
... temporal scheme first and then feeling the increase and decrease of intensity in gestures so sensitively that the exact point of division is discriminated ... pattern , however mechanically inexact , or else not an TEMPORAL PATTERNS 119.
... temporal scheme first and then feeling the increase and decrease of intensity in gestures so sensitively that the exact point of division is discriminated ... pattern , however mechanically inexact , or else not an TEMPORAL PATTERNS 119.
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Parole e frasi comuni
absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words