AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 47
... tern made up of a succession of notes at distinguishable intervals from one another , and heard as at these intervals . And this quite regardless of any special set of intervals chosen , or of our having technical musical names for the ...
... tern made up of a succession of notes at distinguishable intervals from one another , and heard as at these intervals . And this quite regardless of any special set of intervals chosen , or of our having technical musical names for the ...
Pagina 80
... tern does not constitute one of the arts , however great the rôle that color plays in painting or in such minor arts as pure geometrical design in glass and in fabrics . That there is color structure as such follows from the fact that ...
... tern does not constitute one of the arts , however great the rôle that color plays in painting or in such minor arts as pure geometrical design in glass and in fabrics . That there is color structure as such follows from the fact that ...
Pagina 108
... tern in music , except that there must be fixed lengths of duration for the notes relatively to one another , and measure with a pattern of subdivision . Some particular measure must be indicated and some subdivision of it , not merely ...
... tern in music , except that there must be fixed lengths of duration for the notes relatively to one another , and measure with a pattern of subdivision . Some particular measure must be indicated and some subdivision of it , not merely ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words