AEsthetic Analysis |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 50
... are variations in hue , at all the various intensities and various saturations . To
fix convenient points on the circumference of the base of the cone , the
complementaries red and green , and yellow and blue , may be placed at the
extremities of ...
... are variations in hue , at all the various intensities and various saturations . To
fix convenient points on the circumference of the base of the cone , the
complementaries red and green , and yellow and blue , may be placed at the
extremities of ...
Pagina 108
And not all of the conventions , though they may be musically significant in
various traditional ways , indicate clearly anything about the general nature of
temporal pattern in music , except that there must be fixed lengths of duration for
the ...
And not all of the conventions , though they may be musically significant in
various traditional ways , indicate clearly anything about the general nature of
temporal pattern in music , except that there must be fixed lengths of duration for
the ...
Pagina 202
It is equally plain that the standards cited in the history of criticism , when they are
not formal structural characteristics but distinguishable qualitative aspects , are
still remembered qualities discerned \ in other works of art as exhibited in various
...
It is equally plain that the standards cited in the history of criticism , when they are
not formal structural characteristics but distinguishable qualitative aspects , are
still remembered qualities discerned \ in other works of art as exhibited in various
...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole