AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 22
Pagina 50
... various intensities and various satu- rations . To fix convenient points on the circumference of the base of the cone , the complementaries red and green , and yellow and blue , may be placed at the extremities of diameters of this base ...
... various intensities and various satu- rations . To fix convenient points on the circumference of the base of the cone , the complementaries red and green , and yellow and blue , may be placed at the extremities of diameters of this base ...
Pagina 108
... various traditional ways , indicate clearly anything about the general nature of temporal pat- tern in music , except that there must be fixed lengths of duration for the notes relatively to one another , and measure with a pattern of ...
... various traditional ways , indicate clearly anything about the general nature of temporal pat- tern in music , except that there must be fixed lengths of duration for the notes relatively to one another , and measure with a pattern of ...
Pagina 202
... various degrees . The critic's standards , in so far as they consist of such qualita- tive criteria , will have as adequate a basis as the extent and the depth of his experience has furnished . But they will function to communicate the ...
... various degrees . The critic's standards , in so far as they consist of such qualita- tive criteria , will have as adequate a basis as the extent and the depth of his experience has furnished . But they will function to communicate the ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words