AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 106
... verse presentation and its apprehension . Monosyllables are ac- cented or not , but again in accordance with the exigencies of significance ; though either relatively heavy or relatively light accent is often possible on the same ...
... verse presentation and its apprehension . Monosyllables are ac- cented or not , but again in accordance with the exigencies of significance ; though either relatively heavy or relatively light accent is often possible on the same ...
Pagina 117
... verse like ballad metre , for example , is described ? as if in time and in rhythm the alternate lines were of different temporal length . And the smooth , familiar , three- measure line of blank verse is described as pentameter ...
... verse like ballad metre , for example , is described ? as if in time and in rhythm the alternate lines were of different temporal length . And the smooth , familiar , three- measure line of blank verse is described as pentameter ...
Pagina 118
... verse form will be built up by either misapplied classical terms or loose musical analogies . What seems to be required is an attempt first to discern the tem- poral pattern itself and the constituents of verse form as temporally ...
... verse form will be built up by either misapplied classical terms or loose musical analogies . What seems to be required is an attempt first to discern the tem- poral pattern itself and the constituents of verse form as temporally ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words