AEsthetic Analysis |
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Pagina 64
goblet and seen the vibrations ripple the water in it while a clear sound is emitted
. When vibration rates are rapid enough and not too rapid a sound is produced
with definite pitch . It is these familiar natural facts about the determinately timed ...
goblet and seen the vibrations ripple the water in it while a clear sound is emitted
. When vibration rates are rapid enough and not too rapid a sound is produced
with definite pitch . It is these familiar natural facts about the determinately timed ...
Pagina 67
a vibration rate three times that corresponding to the pitch of the fundamental .
Since dividing the length of the string into halves doubles the vibration rate , and
into thirds multiplies the rate by three , instead of speaking of a note with pitch ...
a vibration rate three times that corresponding to the pitch of the fundamental .
Since dividing the length of the string into halves doubles the vibration rate , and
into thirds multiplies the rate by three , instead of speaking of a note with pitch ...
Pagina 71
Let us consider the rate of vibration giving the pitch of the fundamental to be x .
Thus x vibrations per second gives the pitch of the Tonic . The halves of the string
will vibrate at the rate 2x . This rate produces a sound at the pitch called the ...
Let us consider the rate of vibration giving the pitch of the fundamental to be x .
Thus x vibrations per second gives the pitch of the Tonic . The halves of the string
will vibrate at the rate 2x . This rate produces a sound at the pitch called the ...
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abstract accent actual adequate ęsthetic analysis appears apply apprehended artists aspects attention basic basis become body called character characteristic clear clearly color complex concrete conscious constitute counts course criticism defined definitely determinate direct directly discriminating distinct distinguished division Dominant duration effect elements example exhibited experience expressive fact familiar feeling felt field formal function fundamental give given grasp grouping hence human indicated individual intelligible intensity interest intervals intrinsic involved knowledge least length less LIBRARY limited mark matter means measure merely nature notes object obvious octave once organism particular physical pitch possible present processes qualitative range relations relevant response rhythm scale scheme selected sense sensuous simply single sort sound spatial specific structure surface systematic taken temporal pattern things tion Tonic UNIVERSITY OF CALIFORNIA variations various verse vibration whole