AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Pagina 65
... rates of vibration vary inversely with the length of the vibrating string . That is to say , the vibrations of the half - lengths are at twice the rate of the whole , those of the thirds at three times this rate , those of the fifths at ...
... rates of vibration vary inversely with the length of the vibrating string . That is to say , the vibrations of the half - lengths are at twice the rate of the whole , those of the thirds at three times this rate , those of the fifths at ...
Pagina 71
David Wight Prall. Let us consider the rate of vibration giving the pitch of the fundamental to be x . Thus x vibrations per second gives the pitch of the Tonic . The halves of the string will vibrate at the rate 2x . This rate produces ...
David Wight Prall. Let us consider the rate of vibration giving the pitch of the fundamental to be x . Thus x vibrations per second gives the pitch of the Tonic . The halves of the string will vibrate at the rate 2x . This rate produces ...
Pagina 72
... vibration rate 4x is twice 2x , hence the Tonic over again . The vibration rate 5x gives us a pitch far above O , but dividing by 2 twice brings it down to 4 , a rate be- tween 1 and % . This is the rate corresponding to the pitch of ...
... vibration rate 4x is twice 2x , hence the Tonic over again . The vibration rate 5x gives us a pitch far above O , but dividing by 2 twice brings it down to 4 , a rate be- tween 1 and % . This is the rate corresponding to the pitch of ...
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absolute pitch abstract accent acquaintance actual adequate æsthetic analysis æsthetic content æsthetic objects æsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words