AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 65
... whole string , a large part of it also is at the various pitches cor- responding to the vibration rates of the fractions of the string . The pitch given by the vibration of the string as a whole is called the fundamental , the pitch of ...
... whole string , a large part of it also is at the various pitches cor- responding to the vibration rates of the fractions of the string . The pitch given by the vibration of the string as a whole is called the fundamental , the pitch of ...
Pagina 147
David Wight Prall. itself is not the whole of everything , not the whole world , but just this perspective . Abstraction is involved in ab- sorbed attention to a given content in two ways only , as its condition , which is previous ...
David Wight Prall. itself is not the whole of everything , not the whole world , but just this perspective . Abstraction is involved in ab- sorbed attention to a given content in two ways only , as its condition , which is previous ...
Pagina 166
... whole responding self , and they function to give us only the vaguest sensory data unless we have the organic means of correlating them into a whole . If that whole is a feeling totally out of the range of our powers , because it is ...
... whole responding self , and they function to give us only the vaguest sensory data unless we have the organic means of correlating them into a whole . If that whole is a feeling totally out of the range of our powers , because it is ...
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absolute pitch abstract accent acquaintance actual adequate ęsthetic analysis ęsthetic content ęsthetic objects ęsthetic theory apply apprehended artists asthetic attention basic Berkeley Berkeley blank verse CALIFORNIA LIBRARY called character characteristic clear clearly color variations complex concrete conscious constitute cretely criticism defined definitely degree determinate dimension directly discerned discriminating distinct distinguished Dominant duration elements English poetry exhibited experience expressive fact familiar feeling felt formal function fundamental give grasp hence human human voice iambic pentameter iambs indicated intelligible intrinsic knowledge length means Mediant merely musical scale nature notes obvious octave particular perception physical pitch intervals pitch pattern pitch relations Polyclitus present processes qualitative orders relevant rhythmical scale scheme selected sense sensory sensuous serial orders simply sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern things timbre tion Tonic trochees UNIVERSITY OF CALIFORNIA vibration rate whole words