Synectics: The Development of Creative Capacity |
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8 With the exception of "psychical distance" as discussed by Edward Bul- lough
in "Psychical Distance as a Factor in Art and Aesthetic Principle," British Journal
of Psychology V (1912-13) pp. 87-118, and "esthetic distance" as formulated by ...
8 With the exception of "psychical distance" as discussed by Edward Bul- lough
in "Psychical Distance as a Factor in Art and Aesthetic Principle," British Journal
of Psychology V (1912-13) pp. 87-118, and "esthetic distance" as formulated by ...
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Sommario
THE OPERATIONAL MECHANISMS | 33 |
SYNECTICS IN THE INDUSTRIAL MODEL | 57 |
THE COMMONPLACE AND EXPERTISE | 92 |
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ability accept activity actual Analogy apparent artist attempt basic become build candidate client closed commonplace concept concrete conscious constructive continually course creative process described developed Direct effective effort elements example experience fact familiar Fantasy feeling force function give given hand hold human idea identified imagination implied individual industrial insight instance interview intuition invention involved irrelevant kind language lead learned logical London look mean mechanisms metaphor mind nature Object observed operational paint person phase play possible potential practice present Press problem problem-solving psychological response result roof selection sense sessions solution spring strange success Symbolic Synectics group Synectics theory Synectors tapes technical technique things tion turn understand understood University viewpoint whole York