Synectics: The Development of Creative Capacity |
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Pagina 22
Shortly after these interviews were completed, our research took the form of an
increasing interest in the similarity of the creative process in art with that in
science — a similarity which was made quite apparent by the response of both
artists ...
Shortly after these interviews were completed, our research took the form of an
increasing interest in the similarity of the creative process in art with that in
science — a similarity which was made quite apparent by the response of both
artists ...
Pagina 48
FANTASY ANALOGY J I For Sigmund Freud, creatiye-jyork in general, and art in
particular, is the fulfilment of a wish, although he does not say, as he has been
acciwed^rsiying, that it is nothing but a wish. The artist must know how to
transform ...
FANTASY ANALOGY J I For Sigmund Freud, creatiye-jyork in general, and art in
particular, is the fulfilment of a wish, although he does not say, as he has been
acciwed^rsiying, that it is nothing but a wish. The artist must know how to
transform ...
Pagina 139
However, these quoia-oo - tions show that the data of the artist in the course of
creative". . .4 process are often as objective and external as those of the tech-
ceaewo, nician. Dreiser believed that “where there is no plot there is apt too.
However, these quoia-oo - tions show that the data of the artist in the course of
creative". . .4 process are often as objective and external as those of the tech-
ceaewo, nician. Dreiser believed that “where there is no plot there is apt too.
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Sommario
THE OPERATIONAL MECHANISMS | 33 |
SYNECTICS IN THE INDUSTRIAL MODEL | 57 |
THE COMMONPLACE AND EXPERTISE | 92 |
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Parole e frasi comuni
ability accept activity actual Analogy apparent artist attempt basic become build candidate client closed commonplace concept concrete conscious constructive continually course creative process described developed Direct effective effort elements example experience fact familiar Fantasy feeling force function give given hand hold human idea identified imagination implied individual industrial insight instance interview intuition invention involved irrelevant kind language lead learned logical London look mean mechanisms metaphor mind nature Object observed operational paint person phase play possible potential practice present Press problem problem-solving psychological response result roof selection sense sessions solution spring strange success Symbolic Synectics group Synectics theory Synectors tapes technical technique things tion turn understand understood University viewpoint whole York
Informazioni bibliografiche
| Titolo | Synectics: The Development of Creative Capacity Volume 825 di Collier books |
| Autore | William J. J. Gordon |
| Edizione | ristampa |
| Editore | Collier Books, 1968 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 1 ott 2008 |
| Lunghezza | 180 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |