Synectics: The Development of Creative Capacity |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 18
The interrelated psychological states which seemed basic in this narrative were
defined as follows: la. Detachment: The feeling which the inventor described as
being "removed . . . sort of cut off. . . . I've got to take a real look . . . from way out.
The interrelated psychological states which seemed basic in this narrative were
defined as follows: la. Detachment: The feeling which the inventor described as
being "removed . . . sort of cut off. . . . I've got to take a real look . . . from way out.
Pagina 19
These interviews at the most formal level consisted of asking the interviewee
whether he had experienced the psychological states which the inventor in the
above experiment had observed and described. Essentially there were two kinds
of ...
These interviews at the most formal level consisted of asking the interviewee
whether he had experienced the psychological states which the inventor in the
above experiment had observed and described. Essentially there were two kinds
of ...
Pagina 157
They feel that a need for beauty is sufficient to motivate creativity, and that the
beauty is inherent in the thing described or in the manner of its description.
Bosanquet speaks of inherent quality or spirit in the medium. But after stating that
...
They feel that a need for beauty is sufficient to motivate creativity, and that the
beauty is inherent in the thing described or in the manner of its description.
Bosanquet speaks of inherent quality or spirit in the medium. But after stating that
...
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Sommario
THE OPERATIONAL MECHANISMS | 33 |
SYNECTICS IN THE INDUSTRIAL MODEL | 57 |
THE COMMONPLACE AND EXPERTISE | 92 |
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ability accept activity actual Analogy apparent artist attempt basic become build candidate client closed commonplace concept concrete conscious constructive continually course creative process described developed Direct effective effort elements example experience fact familiar Fantasy feeling force function give given hand hold human idea identified imagination implied individual industrial insight instance interview intuition invention involved irrelevant kind language lead learned logical London look mean mechanisms metaphor mind nature Object observed operational paint person phase play possible potential practice present Press problem problem-solving psychological response result roof selection sense sessions solution spring strange success Symbolic Synectics group Synectics theory Synectors tapes technical technique things tion turn understand understood University viewpoint whole York