Synectics: The Development of Creative Capacity |
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Pagina 8
The personal-mystery view of creative experience implies the absolute
uniqueness of the individual. For the last century this view has dominated
autobiographical reports of creative experience as well as biographical
interpretations.
The personal-mystery view of creative experience implies the absolute
uniqueness of the individual. For the last century this view has dominated
autobiographical reports of creative experience as well as biographical
interpretations.
Pagina 8
The personal-mystery view of creative experience implies the absolute
uniqueness of the individual. For the last century this view has dominated
autobiographical reports of creative experience as well as biographical
interpretations.
The personal-mystery view of creative experience implies the absolute
uniqueness of the individual. For the last century this view has dominated
autobiographical reports of creative experience as well as biographical
interpretations.
Pagina 77
The group listens to a "breakthrough" tape to re-experience the thrill, the feeling
of sudden glory, which is highly sexual in its climatic aspect. Thus, as soon as
possible the group becomes motivated by a variety of factors: (a) the in-group ...
The group listens to a "breakthrough" tape to re-experience the thrill, the feeling
of sudden glory, which is highly sexual in its climatic aspect. Thus, as soon as
possible the group becomes motivated by a variety of factors: (a) the in-group ...
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Sommario
THE OPERATIONAL MECHANISMS | 33 |
SYNECTICS IN THE INDUSTRIAL MODEL | 57 |
THE COMMONPLACE AND EXPERTISE | 92 |
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ability accept activity actual Analogy apparent artist attempt basic become build candidate client closed commonplace concept concrete conscious constructive continually course creative process described developed Direct effective effort elements example experience fact familiar Fantasy feeling force function give given hand hold human idea identified imagination implied individual industrial insight instance interview intuition invention involved irrelevant kind language lead learned logical London look mean mechanisms metaphor mind nature Object observed operational paint person phase play possible potential practice present Press problem problem-solving psychological response result roof selection sense sessions solution spring strange success Symbolic Synectics group Synectics theory Synectors tapes technical technique things tion turn understand understood University viewpoint whole York