Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 33
Pagina 158
... Plato , author of the first , or indeed of the only really great negation of art of which there remains docu- mentary proof in the history of ideas . The Is art , mimesis , a rational or an irrational fact ? Does it belong to the noble ...
... Plato , author of the first , or indeed of the only really great negation of art of which there remains docu- mentary proof in the history of ideas . The Is art , mimesis , a rational or an irrational fact ? Does it belong to the noble ...
Pagina 160
... Plato's peremptory negation had directed thought to this way of issue , the literary criticism of Aristophanes was already full of the pedagogic idea : " What schoolmasters are to children , poets are to young men " ( toîs ǹßwσw dè ...
... Plato's peremptory negation had directed thought to this way of issue , the literary criticism of Aristophanes was already full of the pedagogic idea : " What schoolmasters are to children , poets are to young men " ( toîs ǹßwσw dè ...
Pagina 168
... ( Plato ) , because they imitated nature , was wrong ; whereas the truth is , in the first place , that nature itself imitates the idea , and then that the arts do not simply limit themselves to imitating what the eyes see , but go back ...
... ( Plato ) , because they imitated nature , was wrong ; whereas the truth is , in the first place , that nature itself imitates the idea , and then that the arts do not simply limit themselves to imitating what the eyes see , but go back ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers