Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina xiv
... SOLGER , HEGEL The Critique of Judgment and metaphysical idealism - F . Schiller -Relations between Schiller and Kant -- The aesthetic sphere as the sphere of Play — Œsthetic education — Vagueness and lack of pre- cision in Schiller's ...
... SOLGER , HEGEL The Critique of Judgment and metaphysical idealism - F . Schiller -Relations between Schiller and Kant -- The aesthetic sphere as the sphere of Play — Œsthetic education — Vagueness and lack of pre- cision in Schiller's ...
Pagina 347
... Solger found here the basis for his dialectic : amongst other things he maintains that the finite , earthly element may be dissolved and absorbed in the divine , which constitutes the tragic : or else the divine element may be entirely ...
... Solger found here the basis for his dialectic : amongst other things he maintains that the finite , earthly element may be dissolved and absorbed in the divine , which constitutes the tragic : or else the divine element may be entirely ...
Pagina 452
... Solger . the audible by means of the visible . Desirous of preserv- ing the naturalness of symbolism , Lessing ended by con- demning the custom of painting objects on a diminished scale , and concludes : " I think that the aim of an art ...
... Solger . the audible by means of the visible . Desirous of preserv- ing the naturalness of symbolism , Lessing ended by con- demning the custom of painting objects on a diminished scale , and concludes : " I think that the aim of an art ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Ęsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity ęsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers