Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 74
... cognitive forms of the spirit , but only in that where feeling is understood as a special activity , of non - cognitive nature , having its two poles , positive and negative , in pleasure and pain . This activity has always greatly ...
... cognitive forms of the spirit , but only in that where feeling is understood as a special activity , of non - cognitive nature , having its two poles , positive and negative , in pleasure and pain . This activity has always greatly ...
Pagina 282
... cognitive and yet not cognitive , moral and indifferent to morality , pleasing yet wholly detached from the pleasure of the senses . Great use of this power was made by Kant's immediate successors in Germany who were delighted to find ...
... cognitive and yet not cognitive , moral and indifferent to morality , pleasing yet wholly detached from the pleasure of the senses . Great use of this power was made by Kant's immediate successors in Germany who were delighted to find ...
Pagina 287
... cognitive activity , in which he is able to see the logical or intellectual form , but not that of the imagination . What for him was this art he describes as an activity neither formal nor material , neither cognitive nor moral ? Was ...
... cognitive activity , in which he is able to see the logical or intellectual form , but not that of the imagination . What for him was this art he describes as an activity neither formal nor material , neither cognitive nor moral ? Was ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers