Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 97
... colours , etc. ) , which is together the æsthetic synthesis , already produced ; c , the hedonistic accompaniment , which is also reproduced . And what else are those combinations of words called poetry , prose , poems , novels ...
... colours , etc. ) , which is together the æsthetic synthesis , already produced ; c , the hedonistic accompaniment , which is also reproduced . And what else are those combinations of words called poetry , prose , poems , novels ...
Pagina 114
... colours , and what with sounds ? What with simple monochromatic lines and what with touches of various colours ? What with tones , and what with metres and rhythms ? What are the limits between the figurative and the auditive arts ...
... colours , and what with sounds ? What with simple monochromatic lines and what with touches of various colours ? What with tones , and what with metres and rhythms ? What are the limits between the figurative and the auditive arts ...
Pagina 348
... colours : the three primary modifications , the sublime , the attractive and the humorous , correspond with the primary colours violet , orange and green ; the three secondary , pure beauty , comic and tragic , to the colours red ...
... colours : the three primary modifications , the sublime , the attractive and the humorous , correspond with the primary colours violet , orange and green ; the three secondary , pure beauty , comic and tragic , to the colours red ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers