Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
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Pagina 90
... comic , the tragic or the humorous , on every occasion as they please and as may suit the end they have in view . And if an empirical definition of universal validity be demanded , we can but submit this one : -The sublime ( or comic ...
... comic , the tragic or the humorous , on every occasion as they please and as may suit the end they have in view . And if an empirical definition of universal validity be demanded , we can but submit this one : -The sublime ( or comic ...
Pagina 92
... comic . It boasts of containing in itself , justified or corrected and verified , the manifold attempts to define the comic , from Hellenic antiquity to our own day , from Plato's definition in the Philebus , and from Aris- totle's ...
... comic . It boasts of containing in itself , justified or corrected and verified , the manifold attempts to define the comic , from Hellenic antiquity to our own day , from Plato's definition in the Philebus , and from Aris- totle's ...
Pagina 347
... comic . A whole treatise entitled The Esthetic of the Ugly was published by Rosenkranz in 1853 , presenting this concept as intermediate between the beautiful and the comic , and tracing it from its first origin to that " sort of ...
... comic . A whole treatise entitled The Esthetic of the Ugly was published by Rosenkranz in 1853 , presenting this concept as intermediate between the beautiful and the comic , and tracing it from its first origin to that " sort of ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers