Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina viii
... Distinction between logical and non- logical judgements - Syllogistic - Logical falsehood and æsthetic truth ... Distinction between the useful and the technical - Distinction of the useful from the egoistic - Economic will and moral ...
... Distinction between logical and non- logical judgements - Syllogistic - Logical falsehood and æsthetic truth ... Distinction between the useful and the technical - Distinction of the useful from the egoistic - Economic will and moral ...
Pagina 77
... distinction of Gefallen and Vergnügen in German ) . Those distinctions were used to save the three spiritual forms , which were recognized as the triad of the True , the Good and the Beautiful , from confusion with the fourth form ...
... distinction of Gefallen and Vergnügen in German ) . Those distinctions were used to save the three spiritual forms , which were recognized as the triad of the True , the Good and the Beautiful , from confusion with the fourth form ...
Pagina 457
... distinction between prose and poetry : no one , that is to say , save Doubts in perhaps Schleiermacher , who at least called attention to the difficulties of the current doctrine . He proposed to start from the general concept of art ...
... distinction between prose and poetry : no one , that is to say , save Doubts in perhaps Schleiermacher , who at least called attention to the difficulties of the current doctrine . He proposed to start from the general concept of art ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers