Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 74
Pagina 17
... give ęsthetic intuitions . Illusion and hallucination have nothing to do with the calm domain of artistic intuition . But on the other hand if an artist paint the interior of a wax - work museum , or if an actor give a burlesque ...
... give ęsthetic intuitions . Illusion and hallucination have nothing to do with the calm domain of artistic intuition . But on the other hand if an artist paint the interior of a wax - work museum , or if an actor give a burlesque ...
Pagina 105
... give up unity , or keep unity and give up association . No third way out of the difficulty exists . physics . From the failure to analyse so - called natural beauty Criticism of thoroughly and to recognize that it is simply an incident ...
... give up unity , or keep unity and give up association . No third way out of the difficulty exists . physics . From the failure to analyse so - called natural beauty Criticism of thoroughly and to recognize that it is simply an incident ...
Pagina 262
... gives multiplicity , and the internal sense , which tends to unity ; hence the beautiful is " that which exhibits the greatest number of ideas in the shortest ... give us the highest idea we can attain of human 262 VII HISTORY OF ESTHETIC.
... gives multiplicity , and the internal sense , which tends to unity ; hence the beautiful is " that which exhibits the greatest number of ideas in the shortest ... give us the highest idea we can attain of human 262 VII HISTORY OF ESTHETIC.
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Ęsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity ęsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers