Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 69
Pagina 160
... hand serve a rational end . Hence the search for the external end of art , which takes the place of the search for the essence or internal end . When art had been lowered to the level of a simple pleasurable illusion , an inebriation of ...
... hand serve a rational end . Hence the search for the external end of art , which takes the place of the search for the essence or internal end . When art had been lowered to the level of a simple pleasurable illusion , an inebriation of ...
Pagina 372
... hand with which Zimmermann first slips the characteristic into the relations of pure form , thereby entirely altering Herbart's original thought ; and how , by a second trick , he here introduces into pure beauty the variations and ...
... hand with which Zimmermann first slips the characteristic into the relations of pure form , thereby entirely altering Herbart's original thought ; and how , by a second trick , he here introduces into pure beauty the variations and ...
Pagina 373
... hand a delight comparable only with that felt by the ear when listening to the majestic fugues of Bach or the suave melodies of Mozart . " Vischer does not seem to be far wrong in declaring formalistic Esthetic to be " a grotesque union ...
... hand a delight comparable only with that felt by the ear when listening to the majestic fugues of Bach or the suave melodies of Mozart . " Vischer does not seem to be far wrong in declaring formalistic Esthetic to be " a grotesque union ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers