Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 54
Pagina 15
... impressions ) , and the thesis which makes it to consist of a junction between form and content , that is , of impressions plus expressions . In the æsthetic fact , expressive activity is not added to the fact of the impressions , but ...
... impressions ) , and the thesis which makes it to consist of a junction between form and content , that is , of impressions plus expressions . In the æsthetic fact , expressive activity is not added to the fact of the impressions , but ...
Pagina 18
... impressions ) , but also tactual or thermic impressions , such as the " dense air " and the " fresh rivulets " which " parch the more " the throat of the thirsty . The belief that a picture yields only visual impressions is a curious ...
... impressions ) , but also tactual or thermic impressions , such as the " dense air " and the " fresh rivulets " which " parch the more " the throat of the thirsty . The belief that a picture yields only visual impressions is a curious ...
Pagina 19
... impressions , and the physiological path by which these have found their way to the mind is to it altogether indifferent . One way or another comes to the same thing it suffices that they should be impressions . It is true that the want ...
... impressions , and the physiological path by which these have found their way to the mind is to it altogether indifferent . One way or another comes to the same thing it suffices that they should be impressions . It is true that the want ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers