Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
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Pagina xviii
Benedetto Croce. III . THE THEORY OF THE LIMITS OF THE ARTS The limits of the arts in Lessing — Arts of space and arts of time — Limits and classifications of the arts in later philosophy : Herder and Kant -Schelling , Solger ...
Benedetto Croce. III . THE THEORY OF THE LIMITS OF THE ARTS The limits of the arts in Lessing — Arts of space and arts of time — Limits and classifications of the arts in later philosophy : Herder and Kant -Schelling , Solger ...
Pagina 114
... limits between the figurative and the auditive arts , between painting and sculpture , poetry and music ? Criticism ... limits , because , in the classifica- order to have them , they would need to have also æsthetic existence in their ...
... limits between the figurative and the auditive arts , between painting and sculpture , poetry and music ? Criticism ... limits , because , in the classifica- order to have them , they would need to have also æsthetic existence in their ...
Pagina 449
... LIMITS OF THE ARTS To Lessing must be ascribed the merit and the sole glory of having discovered that every art has its special character and inviolable limits . But his merit lies not in his own theory , which , in itself , is scarcely ...
... LIMITS OF THE ARTS To Lessing must be ascribed the merit and the sole glory of having discovered that every art has its special character and inviolable limits . But his merit lies not in his own theory , which , in itself , is scarcely ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers