Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 86
Pagina 77
... merely hedonistic feelings . and without value ; disinterested and interested feelings , objective feelings and feelings not objective but simply subjective feelings of approbation and of mere pleasure ( cf. the distinction of Gefallen ...
... merely hedonistic feelings . and without value ; disinterested and interested feelings , objective feelings and feelings not objective but simply subjective feelings of approbation and of mere pleasure ( cf. the distinction of Gefallen ...
Pagina 300
... mere pleasure , a connexion which is a mark of barbarism , or with utility , which cannot be demanded of art save at ... merely contained indirectly and implicitly in the concrete artistic form , the result of such a separation is to ...
... mere pleasure , a connexion which is a mark of barbarism , or with utility , which cannot be demanded of art save at ... merely contained indirectly and implicitly in the concrete artistic form , the result of such a separation is to ...
Pagina 401
... merely " the art of Quaternary man , the art of the cave - dweller . " 1 Naturalistic is the best term with which to ... mere confusion between scientific analysis and historical inquiry or description is visible in the works of certain ...
... merely " the art of Quaternary man , the art of the cave - dweller . " 1 Naturalistic is the best term with which to ... mere confusion between scientific analysis and historical inquiry or description is visible in the works of certain ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers