Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 221
... mind . This Aphorism is the Principle of poetical sentences which are formed by the sense of passions and affections ; differing thereby from philo- sophical sentences which are formed by reflexion through ratiocination ; whence the ...
... mind . This Aphorism is the Principle of poetical sentences which are formed by the sense of passions and affections ; differing thereby from philo- sophical sentences which are formed by reflexion through ratiocination ; whence the ...
Pagina 331
... mind lightened and freed from a weight when we speak . " In the situation immediately preceding the production of speech man must be conceived as companying all his sensations and all the intuitions received by his mind with the most ...
... mind lightened and freed from a weight when we speak . " In the situation immediately preceding the production of speech man must be conceived as companying all his sensations and all the intuitions received by his mind with the most ...
Pagina 366
... mind of the artist : such as the content is , such is the form . " 3 Between form and content there is at the same time identity and diver- sity . In a work of art the content , which had been lying in a chaotic state in the mind of the ...
... mind of the artist : such as the content is , such is the form . " 3 Between form and content there is at the same time identity and diver- sity . In a work of art the content , which had been lying in a chaotic state in the mind of the ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers