Aesthetic as Science of Expression and General LinguisticNoonday Press, 1953 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 65
Pagina 19
... never had the impression of the sea will never be able to express it , in the same way as one who has never had the im- pression of the life of high society or of the political arena will never express either . This , however , does not ...
... never had the impression of the sea will never be able to express it , in the same way as one who has never had the im- pression of the life of high society or of the political arena will never express either . This , however , does not ...
Pagina 171
... never been seen , imagining it on the basis of existing things and in that way creating Jupiters and Minervas.1 However , the imagination of which Philostratus speaks here is not something different from the Aristotelian mimesis , which ...
... never been seen , imagining it on the basis of existing things and in that way creating Jupiters and Minervas.1 However , the imagination of which Philostratus speaks here is not something different from the Aristotelian mimesis , which ...
Pagina 332
... never succeeded in discerning the true connection between feeling and spiritual forma- tion , soul and spirit ; they never understood that logical thought is one of these spiritual formations : an activity , not a code of external laws ...
... never succeeded in discerning the true connection between feeling and spiritual forma- tion , soul and spirit ; they never understood that logical thought is one of these spiritual formations : an activity , not a code of external laws ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1967 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione estratti - 1966 |
Aesthetic as Science of Expression and General Linguistic: Translated from ... Croce Benedetto Anteprima non disponibile - 2015 |
Parole e frasi comuni
abstract according action activity æsthetic already ancient appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error Esthetic example exist expression fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense sensible side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various writers